GRAVITATIONAL FIELDS 

These paintings represent a process. On detailed observation, one can read when the pigments have been dropped from above, how the canvases have been turned, or how the material has been directed in one direction or another. There is an intention to stratify the painting, in an almost geological way, to configure a space created in different strata.

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The classical paintings required a frontal gaze, at eye level, to inhabit an imaginary but concrete place, determined by linear perspective. In the case of our work, the main element to look at is not the horizon, but the effects of gravity, the vertical fall from where the colour has been “thrown.” It is a very different referential view.